Canaletto Italian Rococo Era Painter, 1697-1768
Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.
Canaletto San Giacomo di Rialto f 1725-26
Oil on canvas, 95,5 x 117 cm
Gemäldegalerie, Dresden
Venice: The Piazzetta Looking South-west towards S. Maria della Salute sdfg 1725-30
Oil on canvas, 172,1 x 136,2 cm
Royal Collection, Windsor Painting ID:: 5579
Canaletto Venice: The Piazzetta Looking South-west towards S. Maria della Salute sdfg 1725-30
Oil on canvas, 172,1 x 136,2 cm
Royal Collection, Windsor
The Piazzetta, Looking toward the Clock Tower df 1726-28
Oil on canvas, 172 x 135 cm
Royal Collection, Windsor Painting ID:: 5580
Italian Rococo Era Painter, 1697-1768
Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.